Brantori Garde Sectory 15

An aspect of Japanese life widely remarked and praised by foreign writers is the love for children. Children's holidays, as the third day of the third moon and the fifth day of the fifth moon, are general celebrations for boys and girls respectively, and are observed with much gayety all over the land. At these times the universal aim is to please the children; the girls have dolls and the exhibition of ancestral dolls; while the boys have toy paraphernalia of all the ancient and modern forms of warfare, and enormous wind-inflated paper fish, symbols of prosperity and success, fly from tall bamboos in the front yard. Contrary to the prevailing opinion among foreigners, these festivals have nothing whatever to do with birthday celebrations. In addition to special festivals, the children figure conspicuously in all holidays and merry-makings. To the famous flower-festival celebrations, families go in groups and make an all-day picnic of the joyous occasion.

Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.

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